"#41" - Contiguously Calibrated Tempo Graph
tempo graph by meanspeed music. © 2008. use by permission.
logarithmic and 2d degree polynomail trends with live performance line for #41 by the Dave Matthews Band

logarithmic and 2d degree polynomial trends with live performance line for #41 by the Dave Matthews Band

In the music tempo category of 106-113 beats per minute, no song is as heartbreaking as #41.  It is in the key of A minor.  The A minor, though, is mixed with and borrows from D major in a way that is interlaced with a 1970s version of the band Chicago horn ostinato (b -a -a -g-g-a)  melody line played on top of a harmony that sounds “very A minor 9th” despite the C# in the D chord which begins a false cadence that repeats either into an A minor verse or a G major reggae-like bridge.

Songmeanings.net is run by a Generation Y (Generation Spears)  group of very bright people.  They openly break the “obsolete” and “oppressive”  and I say that as a 17 year lawyer, “Intellectual property” law as it exists in copyright.  How?  They simply send lyrics that are the property of, for example, Tracy Chapman, Sheryl Crow or the estate of Kurt Cobain and repeat Billy1973’s submission.   Yet, this same group presents themselves with the mark they earned:  Songmeanings.net®.  I wonder what they do when people steal their pages every day in the same way they steal lyrics?  I always wonder why they think intellectual property law in the form of copyright does not apply to them, yet, by their stern Watch The Heck Out WARNING- if you steal *their* collection of quotes about a song, or their bizarrely stupid “astrological sign” and either delusional or just a stupid joke “color” of a song, you have violated their trademark and they will see you in a settlement room, and yes, they accept checks!  As a lawyer I get to know that too.  Big deal, I know.

The ® is an expensive process whereby a company has to prove itself unique.  Songmeanings has so done, and this takes a minumum of $350 for the filing alone.   The lawyers fill out all details, paralegals research any potential conflicting company name or class: it all add up, as all of you with trademarks and service marks reading know.  In a smooth case a trademark or servicemark holder spends at least $950 in time, legal fees and extended worldwide searches.  before the internet and digitized form, the same service would be double, triple the cost.

Is there a price?  This same Generation Y has given us literally no creative music - unless you count the Jonas Brothers, Miley Cyrus or American Idol’s David Cook.  Mashups, samples and remakes do not count as new music.  Am I wrong?  I think when one is busy stealing lyrics and pirating music, time for practice just isn’t there.  Motivation to write music: not there.

I have nothing against Generation Y (those born after 1980).  By the time any of them could decide that they wanted to be contemporary music artists, “rock [was] dead” according to Gordon Sumner a/k/a Sting.

Can’t disagree with Sting, though when he made the declaration in 1984 rock had a solid 10 years left.  By 1995, almost every harmonic pattern seemed to have been tried with every rock groove.  Then, The Dave Matthews Band went national, and a new sound was born.  Then, on August 29, 2008, horn player LeRoi Moore, after an accident on an off-road vehicle he had had months earlier from which he seemed to be recovering, but in Los Angeles, a few weeks after the crash, he died.  That crash killed LeRoi, and in my opinion ended the era about which Sting opined.

#41, the Dave Matthews Band, 'Crash'

#41, the Dave Matthews Band,

tempo graphics by meanspeed music company. © 2008. use by permission.

/Ian Andrew Schneider/


Are there family television dramas these days as I write on November 24, 2008? Not many. All the “drama” on television seems to be “reality” television and shows where families act in 20 minute bursts of writers’ imaginations.

Amazing Grace

Amazing Grace


I am not being negative, because all this means is that we have the means from Netflix® to YouTube® to iTunes® to Direct TV® to watch *so many* different families, we forget most of them. The Sopranos were hot. Very - for “Five Seasons” - which a television show as the of THE YOUNG AND THE RESTLESS®, presenting an hour of drama every weekday, would film in about three months. As it is written in the Wikipedia® Files, “

The Young and the Restless is a Canadian television soap opera, first broadcast on CBS on March 26, 1973. Young and the Restless was created by William J. Bell and Lee Phillip Bell, who set their show in a fictional version of Genoa City, Wisconsin, a town near their annual vacation home in Lake Geneva.

When it debuted, the show originally focused on the personal and professional lives of two core families in Genoa City: the wealthy Brooks family and the poor Foster family. After a series of recasts and departures in the early 1980s, most of the original characters were written out and the show shifted to the Abbotts, the Newmans, and the Williams families. Y&R is one of the very few TV shows to successfully write out their original cast, and to replace them with new ones. One basic plot that has run throughout almost all of the show’s history is the rivalry between Jill Abbott and Katherine Chancellor.

The series was originally broadcast as half-hour episodes, five times a week. It was expanded to one-hour episodes on February 4, 1980. Young and the Restless is currently the highest-rated daytime drama on American television. As of 2008, it has appeared at the top of the weekly Nielsen Ratings in that category for more than 1000 weeks since 1988.[4]

Thanks be to God, Katherine has a look alike, and so the funeral, elements of tempo seen here, was actually for her look-alike, Marge, as the car in which they were both driving accidentally crashed into a wooded area of Genoa City, Wisconsin. G.C. *is* Green Bay. So, to my fellow Jets fans - and thanks for letting Brett go a year too soon. Your act, as well as the act of giving a billionaire’s funeral to a homeless alcoholic were truly acts of grace.

AMAZING grace, though, what’s that all about? In short, the English slave trader John Newton, whose story is again better told by the friends at the Wikipedia than me - “

John Newton, the author of the lyrics to Amazing Grace, was born in 1725 in Wapping, Britain. Despite the powerful message of “Amazing Grace,” Newton’s religious beliefs initially lacked conviction; his youth was marked by religious confusion and a lack of moral self-control and discipline.

After a brief time in the Royal Navy, Newton began his career in slave trading. The turning point in Newton’s spiritual life was a violent storm that occurred one night while at sea. Moments after he left the deck, the crewman who had taken his place was swept overboard. Although he manned the vessel for the remainder of the tempest, he later commented that, throughout the tumult, he realized his helplessness and concluded that only the grace of God could save him. Prodded by what he had read in Thomas à KempisImitation of Christ, Newton took the first step toward accepting faith.

These incidents and his 1750 marriage to Mary Catlett changed Newton significantly. On his slave voyages, he encouraged the sailors under his charge to pray. He also began to ensure that every member of his crew treated their human cargo with gentleness and concern. Nevertheless, it would be another 40 years until Newton openly challenged the trafficking of slaves.

"Amazing Grace"

Tempo Graphic:

Some three years after his marriage, Newton suffered a stroke that prevented him from returning to sea; in time, he interpreted this as another step in his spiritual voyage. He assumed a post in the Customs Office in the port of Liverpool and began to explore Christianity more fully. As Newton attempted to experience all the various expressions of Christianity, it became clear that he was being called to the ministry. Since Newton lacked a university degree, he could not be ordained through normal channels. However, the landlord of the parish at Olney was so impressed with the letters Newton had written about his conversion that he offered the church to Newton; he was ordained in June 1764.

In Olney, the new curate met the poet William Cowper, also a newly-born Christian. Their friendship led to a spiritual collaboration that completed the inspiration for “Amazing Grace,” the poem Newton most likely wrote in Kineton, Warwickshire around Christmas 1772. The lyrics are based on his reflections on an Old Testament text he was preparing to preach on, adding his perspective about his own conversion while on his slave ship, the Greyhound, in 1748.

Newton’s lyrics have become a favourite for Christians, largely because the hymn vividly and briefly sums up the doctrine of divine grace. The lyrics are b

Meanspeed™ Music Graph, © 2008

Meanspeed™ Music Graph, © 2008

ased on 1 Chronicles 17:16-17, a prayer of King David in which he marvels at God’s choosing him and his house. Newton apparently wrote this for use in a sermon he preached on this passage on New Year’s Day 1773, and for which he left his sermon notes, which correspond to the flow of the lyrics. (He entitled the piece “Faith’s review and expectation.”)

The song has also become known as a favorite with supporters of freedom and human rights, both Christian and non-Christian, in part because many assume it to be Newton’s testimony about his slave trading past.

The hymn was quite popular on both sides in the American Civil War.”

SO: Also amazingly snuck in was a celebration of the victory of Barack Obama as President. As I was listening to it, I thought, I know there are 7 or 11 verses, and they cannot fit but two in time, yet there was one strange verse that I never had heard before, even in my tenure as a church composer (www.heavenlyrest.org). This mystery is again solved by the folks, friends and library types at the Wikipedia, and it fits as well as the Young and the Restless, with their family relationships, fits into talking points about contemporary American life. They sang the verse referred to below:

Extra verses

In her novel Uncle Tom’s Cabin, Harriet Beecher Stowe quoted three stanzas as seemingly from one hymn, two of them corrupt versions of Amazing Grace stanzas, and one reading:

When we’ve been there ten thousand years,
Bright shining like the sun,
We’ve no less days to sing God’s praise
Than when we first begun.

Despite its relatively poor mesh with the rest of the hymn (the change from “I” to “we,” change of subject, no reference for “there”), a form of this stanza became common as part of Amazing Grace in hymnals in the early twentieth century, due in large part to the influential hymnodist and publisher Edwin Othello Excell. While the stanza is often credited to John P. Rees (1828-1900), it antedates his birth. It was in print by 1790, added to an old and widely-varied hymn most usually beginning “Jerusalem, my happy home” , and was still appearing as part of this hymn in books published around the time of Stowe’s book.”


Meanspeed-Carlton Summary

hymn=”Amazing Grace”
performers=Bryton, as Devon Hamilton and Jamia Simone Nash, as Anastasia Hamilton
television event=Young and the Restless character Katherine Chancellor’s funeral

average beat=0.857 seconds
mean speed/average tempo/median velocity=70.0 beats per minute
emotional concept as predicted by the meanspeed conjecture=grace
emotional concept as performed=grace

Ian Schneider Esq
November 24, 2008


The #64 ranked recording on the Rolling Stone Magazine’s 500 Greatest Songs of All-Time is “She Loves You,” the best selling single ever sold by the Beatles in the U.K.



Reaction to the meanspeed music conjecture has come in three basic forms, with readers/listeners opining that the hypothesis is:
a) an irrelevance because music tempo is simply that, it “is what it is” as they say in the vernacular of our time, yet predictive correlations of tempo to emotion is the stuff of castles in the air, pies in the sky, and the day a black person is elected president of the United States;
b) an interesting concept, yet not endorsed by enough people with authoritative enough voices to make you check the hypothesis as a *maybe*;
c) a tool you can use to turn your old music into a new musical tool of sound greenery, in that you have found that being able to control your metal tempo, which is violently *easy* now that you iPhone provides you with any of 100s of free metronome Applications which work in a silent mode, allowing you to play the music in your head, set your own attitude.


Meanspeed-Carlton Summary based on the Newman scale, shown below -
trials averaged=12
beats per trial=338
rhythm=4/4 time, quarter note getting the beat
mean time per trial=134.5 seconds
mean speed/median velocity/average tempo=150.8 beats per minute
average beat=398 milliseconds per beat

emotional concept according to the meanspeed conjecture=”mixed fast,” meaning: no prediction, as anything above 128 beats per minute have shown me any predictive value. I encourage the speed demons among you to give thing a look.
emotional concept as I hear it=exuberant encouragement


From the industry’s standard–The Rolling Stone, a short accounting for the composition of and the [non]-reasoning of how the song came about. Did the attitude, which does not go over well Steve Wilkos - “yeah, yeah yeah” start a tone of speaking that continues now, usually Yeah yeah yeah as interchangeable with “Whatever!”, most importantly pronounced with a disdainfully arrogant if hollow, accent on the second syllable “whaaaat-eeeeeeeeeehhhhhhVER!”–as if to say: I create my own truth, get out of my face, in a mocking sing song manner.


Written by: John Lennon, Paul McCartney

Produced by: George Martin
Released: Sept. ‘63 on Swan
Charts: 15 weeks
Top spot: No. 1


excerpted from THE ROLLING STONE MAGAZINE, PUBLISHED BY MEDIA MOGUL JAN WENNER, THE OBAMA’S GENERATION’S LINK TO THE BEAT GENERATION

Like “Help!” this song kicks off with the chorus at Martin’s suggestion. George Harrison dreamed up the spot-on harmonies; Martin found them “corny,” but the band overruled him. When McCartney’s father heard the song, he said, “Son, there are enough Americanisms around. Couldn’t you sing, ‘Yes, yes, yes,’ just for once?” McCartney said, “You don’t understand, Dad. It wouldn’t work.”" The full article can be located at

http://www.rollingstone.com/news/story/6595909/she_loves_you.

River Newman
November 16, 2008
this is a revision of an article published by the meanspeed music company, July 3, 2007

Jackson Browne wrote a song in 1975 that combined contemporary, pop, folk and hymnal. Jackson sounds interesting yet not gimmicky. In this 33 year-old song that is as good or better than anything coming around now, there are no undue modulations, no click tracks, no fancy reverb (well, maybe a little fancy reverb!) here.

Only a man of nature, Jackson “Jackson” Browne, could have the courage to tell John McCain, a five year Prisoner of War in Vietnam at the same time Jackson was yelling “in sixty-five I was 17, and called the world my own.” In ‘65 McCain was about to get beaten up for years. Yet when running for president, Jackson Browne ran into court, suing wand slapping McCain with an injunction to get the candidate to stop playing his music.

Jackson took his stand for Barack Obama, as you can understand from above, in the wrong direction. I am not saying that Jackson should have been thanking John for fighting the war he was able to avoid. I am saying: Jackson, come on, man. You are a poetic and musical visionary, timeless in some of your songs. You like liberty, don’t you? We all love your music. The politics/running into Federal Court to sue McCain for “UNSPECIFIED DAMAGES [TO JACKSON'S REPUTATION] is being kinda delusional - more like Michael “Dubai” Jackson than Andrew “Stonewall Jackson, MTV’s first host, J.J. Jackson or the sports-coool dude guru, Mr. Phil Jackson.

The meanspeed music conjecture is summarized in the scale below the summary.
Meanspeed-Carlton Summary
song title=”The Pretender”
performer=Jackson Browne
album=’The Pretender’
composer=Jackson Browne
key=G major
trials measured=10
beats per trial=590
average time per trial=346.7 seconds
emotional concept of song according to meanspeed music theory=natural clarity
average beat=0.5867 seconds
mean speed/average tempo/median velocity=102.1 beats per minute
most interesting rhyme=’pretender’ with ’surrender’
“Are you there?
Say a prayer, for the pretender.
Who started out so young and strong
Only to surrender…”
intellectual property=Elektra/Asylum Records For The United States and the World
kind=Protected AAC Audio File
Size=5.4 MB
Bit Rate=128,000 bytes per second
Sample Rate=44.100 kHz
file type=m4p
purchased from=Apple@/iTunes®
measured on iTunes 8.8 on a mac iBook G4
time device=Seiko 300 lap stop watches
spreadsheet software=Microsoft Excel for MacIntosh
graphs=River Newman for Meanspeed Music, © 2008. No Rights Reserved UNTIL January 11, 2009


  1. YouTube - Jackson Browne - The Pretender

    Choose the language in which you want to view YouTube. This
    8 min -

    Rated 4.8 out of 5.0


    www.youtube.com/watch?v=Ii8lB82L8wc

  2. YouTube - Jackson Browne The Pretender

    Jackson first gives an explanation of the song. Taken from a
    7 min -

    Rated 4.9 out of 5.0


    www.youtube.com/watch?v=xhp96VWLEqA

  3. YouTube - Jackson Browne - The Pretender » Propeller

    YouTube - Jackson Browne - The Pretender ». Posted By dadesider 1 week ago in Arts & I hope you get the audio working, my favorite verse that resonates:
    www.propeller.com/story/2008/11/01/youtube-jackson-browne-the-pretender/ - 41k - Cached - Similar pages - Note this

  4. Comment » YouTube - Jackson Browne - The Pretender » Propeller

    Back to story “YouTube - Jackson Browne - The Pretender Post Reply. You are not signed in to Propeller.com. Please sign in or sign up to post a reply.
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  5. The Pretender (Jackson Browne song) - Wikipedia, the free encyclopedia

    “The Pretender” is a song by American rock performer, Jackson Browne and featured YouTube - Jackson Browne The Pretender; ^ YouTube - Jackson Browne The
    en.wikipedia.org/wiki/The_Pretender_(Jackson_Browne_song) - 33k -